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Sunday, October 18, 2009

Ajab Prem Ki Ghazab Kahani (2009): Music Review

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By Joginder Tuteja, October 12

EXPECTATIONS

Now this one does sound like a promising album. First and foremost names like Pritam and Irshad Kamil are good enough to result in a quality album. Case in point being Love Aaj Kal and Jab We Met where the composer-lyricist ‘jodi’ has already succeeded in creating magic. Secondly, the film is a romcom in the offering with heart-throbs like Ranbir Kapoor and Katrina Kaif being paired opposite each other for the first time. Thirdly, the film is a TIPS production and it would be difficult to imagine that Ramesh Taurani would settle down for anything substandard for his own music label. With expectations well in place, one plays on Ajab Prem Ki Ghazab Kahani.

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MUSIC

It’s a rocking kick start for the album with some groovy beats followed by Hard Kaur’s rendition leading to a superb rhythmic build up for ‘Main Tera Dhadkan Teri’. K. K. comes on scene immediately and gets the pace rolling for this club track that has chartbuster written all over it. This is a kind of number that Pritam has specialized in over the years. No wonder, he makes use of his hit track record to create yet another number that straight away makes an impression in the very first listening. What impresses most in the song is the way he uses Sunidhi Chauhan in the song as each and every line from her brings in that spunk and edge to ‘Main Tera Dhadkan Teri’. This one is meant for the big screen viewing.

There are two more versions that follow for ‘Main Tera Dhadkan Teri’. While one definitely looks forward to the ‘remix version’ which gets on a faster pace and makes one head for the dance floors, what surprises is the track ‘Follow Me‘ which is a recreated version of the same song. This one is a solo version by Hard Kaur and gets into a similar seductive mood as ‘Touch Me Touch Me’ [Race]. Let’s have a music video rolling. All in all, just the kind of treat that one was looking forward to from the album as one looks forward to what Pritam has to offer in songs to follow.

At the very first instance, ‘Tu Jaane Na‘ seems to be embarking on a sudden start. However, a minute into the song, Atif Aslam takes over the proceedings and comes up with a heartfelt rendition for this love track. With a ’sufi’ element to it, what strikes most about ‘Tu Jaane Na’ is a certain purity that makes it yet another quality number that Imtiaz Ali would have loved to have in his next film. Moving at a smooth pace, ‘Tu Jaane Na’ boasts of good lyrics and one wonders why the promos of the song have not yet been released?

Since the number takes its own time in settling down, the makers have made a smart choice in placing it as many as four times with different singers coming on board. After Atif Aslam, the song appears in a ‘reprise version’ with Soham, Rana Mazumdar and Ashish Pandit coming together. In fact this one turns out to be slightly more ‘filmy’ version in the way Soham goes about rendering the song. A ‘remix version’ may have sounded unnecessary on paper due to the theme and pace of the song. However, credit to DJ Suketu who gives a different dimension to ‘Tu Jaane Na’ and makes it sound as if this one could well have been an original version. A good remix creation.

Finally arrives an ‘unplugged version’ and as Kailash Kher, Paresh and Naresh go about their act, one is convinced that ‘Tu Jaane Na’ is pretty much the other highlight number in the album after ‘Main Tera Dhadkan Teri’. This is a kind of song that can be heard on a repeat mode without being bored. With first two tracks making such an impression, one goes on to have good expectations from the songs to follow.

The quintessential ’shehnai’ tune that is heard in marriages finds a remix going for it, courtesy Pritam who spins a track titled ‘Oh By God‘. It’s this ’shehnai’ which is an integral part for this song that is fun and youthful with Mika and Sunidhi Chauhan coming together. Yet another high energy dance in the album, it’s the kind of track that could boast of an enhanced appeal if supported by some vibrant dance moves.

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Melody returns to the album soon after with Atif Aslam coming together with Alisha Chenoy for ‘Tera Hone Laga Hoon‘. Written by guest lyricist Ashish Pandit (who does spin a nice romantic tale), this one is a love song that takes one straight to the hills and the trees. A kind of love song that has time and again worked, ‘Tera Hone Laha Hoon’ has both the singers coming together with some heartfelt rendition that makes it a kind of hear that is quite comfortable on ears. Thankfully, the ‘remix version’ doesn’t go overboard either and keeps the spirit of melody intact.

Prem Ki Naiyya’ follows next but doesn’t quite stand in the same league as most of its predecessors. In a lesser album one wouldn’t have quite minded this rhythmic dance number that has a rooted Indian feel to it. Still, in spite of the presence of Neeraj Sridhar and Suzanne D’Mello, the number just stays on to be a decent hear and that’s about it, even as a ‘remix version’ follows for this track too.

The album sees a good ending for itself with ‘Aa Jao Meri Tamanna‘ that makes an instant impression, just like was the case in ‘Main Tera Dhadkan Teri’. However, the genre of both the tracks is totally different here. While ‘Main Tera. .’ is a dance track, ‘Aa Jao.. ‘ is a love song which has melody as it’s pace. This one again has a distinct Pritam feel to it, whether in terms of rendition, pace or arrangements. What also makes the song a certain high is the manner in which Javed Ali goes about his rendition. He does quite well and one can easily sense that he has his heart pretty much set for this song. Jojo gives him good company for this song that also appears in a well deserved ‘remix version’.

OVERALL

This is Pritam’s year. Period. Delivering chartbusters by dozens all through the year, he can now look forward to another bountiful of hit songs up his sleeves with Ajab Prem Ki Ghazab Kahani. Also, Ranbir and Katrina can enjoy a hugely popular track for themselves in the form of ‘Main Tera Dhadkan Teri’. Go, pick this one up from the shelves!

OUR PICK(S)

‘Main Tera Dhadkan Teri’, ‘Follow Me’, ‘Tu Jaane Na’, ‘Aa Jao Meri Tamanna’, ‘Tera Hone Laga Hoon’

Ratings: (3.5/5)


Related Posts: Ajab Prem Ki Ghazab Kahani (2009)

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Blue (2009): Watch Movie Online

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Movie: Blue
Year: 2009
Famous Actors: Akshay Kumar, Sanjay Dutt, Katrina Kaif, Lara Dutta, Rahul Dev, Zayed Khan
Director: Rohit Shetty
Category: Watch/Download Movie Online



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All The Best (2009): Watch Movie Online

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Main aurr Mrs Khanna (2009) : Watch Online Movie

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Saturday, October 17, 2009

Acid Factory (2009): Watch Movie Online

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Electro Grooves - DJ A. Sen (2009): Mp3 Remixes

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MediaFire Download Links For Electro Groves Vol 4 Feat MP3 Songs (128 Kbps):

Track List:

1.Emotional attyachaar-Drive Away Mix Download
2.Masakalli Bassed Up Electro Mix Download
3.Gazab Trickstyle Mix Download
4.O Jana Club Remix Download
5.The Bilz & Kashif-Heer Ranjha Deep Mumbai Remix Download
6.O Saya Trance Drive Mix Download

Download All Songs (128 Kbps) – MediaFire Link

Electro Groves Vol 4 Feat Dj A.Sen – BollywoodtraX.blogspot.com (128 Kbps).zip

Download All Songs (320 Kbps) – MediaFire Link

Electro Groves Vol 4 Feat Dj A.Sen – BollywoodtraX.blogspot.com (320 Kbps).zip

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Friday, October 16, 2009

All The Best (2009): Movie Review

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By Taran Adarsh, October 16

Sometimes, we laugh at movies. At times, we laugh in movies. Thankfully, ALL THE BEST, helmed by Rohit Shetty, belongs to the latter type.

ALL THE BEST makes no claims of catering to the intelligentsia or the elite. Instead, it’s aimed at those who want to spend two hours of their precious life flexing their facial muscles. ALL THE BEST is for those who expect fun and laughter unlimited in those two hours. This one makes you smile, laugh, even break into a guffaw at times.

The jokes and the goings-on may appear silly, but who cares! As long as one feels positive and wears a smile on the face even after the show has ended, nothing else matters.

Comedy is serious business and Rohit Shetty is a pro at this genre now. This time, the talented director seeks inspiration from RIGHT BED, WRONG HUSBAND and what works to the advantage are two factors – the written material and the right casting. Both are just right!

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From time to time, it has been noticed that some films are made with the motive of keeping you entertained. ALL THE BEST is one of those films. Go, have a blast this Diwali!

Veer [Fardeen Khan], a singer by profession, is greedy of extracting extra pocket money from his brother Dharam [Sanjay Dutt], a business-honcho. Veer lies to Dharam that he has got married and his friend Prem [Ajay Devgn], a concept car expert, lends a helping hand in cooking up this alibi.

Veer is in love with Vidya [Mugdha Godse], but has qualified in the hate list of her father. Prem is happily married to Jhanvi [Bipasha Basu], who takes care of his ancestor’s outdated gymnasium. Veer and Prem land up in debts as they had opted for a short-cut to earn easy money.

The two get into a bigger soup when Dharam pays a sudden visit to their place. Time does not give a chance and unavoidable circumstances arouse such situations that Prem’s wife Jhanvi is mistaken for Veer’s and Veer’s girlfriend for Prem’s.

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Like his previous films, director Rohit Shetty rests the story on multiple characters, with a dozen odd actors in supporting roles. With so many characters in the film, it generally tends to get confusing, but ALL THE BEST has an easy-to-comprehend story and a trouble-free and uncomplicated screenplay [Robin Bhatt and Yunus Sajawal].

Ten minutes into the film and you know that ALL THE BEST is all about mistaken identities. But the proceedings actually take off when Sanju enters the scene. That’s when you get drawn into this madcap world completely.

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A number of sequences are howlarious. Note Johny Lever’s intro. Ditto for Sanjay Mishra’s track. Also, when Johny Lever regains his voice – towards the climax – it’s sooooo funny. On the flip side, the pace drops in the middle of the second hour. Also Pritam’s musical score is uninspiring and the songs act as speed breakers.

Rohit Shetty is in top form and his team of writers, Robin and Yunus, contribute enormously in making this film watchable. Dudley’s cinematography is perfect. Farhad – Sajid and Bunty Rathore’s dialogue are very much in sync with the mood of the film. In fact, a few one-liners are extremely witty.

Sanju portrays his part well. His sequences with Ajay are truly fantastic. But the show-stopper is undoubtedly Ajay, whose comic timing is only getting better. He plays to the gallery completely and delivers a sparkling performance. Fardeen needs to loosen up, though he makes a sincere attempt. Bipasha is sweet, while Mugdha doesn’t get much scope. Amongst supporting actors, Johny Lever and Sanjay Mishra are in terrific form. Mukesh Tiwari, Vijay Patkar, Ashwini Kalsekar and Atul Parchure lend credible report.

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On the whole, ALL THE BEST is fun and laughter unlimited. At the box-office, the festive period coupled with the solid track record of Ajay Devgn and Rohit Shetty and also the strong merits will ensure ample footfalls at cineplexes, making its investors laugh all the way to the bank. Recommended!

Ratings: (3.5/5)


Related Posts: All The Best (2009)

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