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Monday, September 21, 2009

Wanted (2009) - Movie Review

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By Taran Adarsh, September 17

This is for fans and foes of Salman Khan…
Fans, rejoice, Salman is back with a vengeance with WANTED. This is his deadliest performance to date. Yes, you read it right!
Foes, sorry, you won’t be able to lash out at him or pick on him or launch a vicious tirade this time. The spate of flops should come to a grinding halt with WANTED.

Let’s get this straight. WANTED rides on Salman Khan’s star power. He may not be the best actor in town, but in a film like WANTED, in a role that seems like an extension of his personality, you can’t think of anyone else enacting this role with flourish.

A remake of POKIRI [made in Telugu and Tamil versions], WANTED is a full on masala film. Recall the successful potboilers of yore. Recall how the good guy would reduce 10 hoodlums to pulp in a fraction of seconds. Recall how heroism prevailed in the end, no matter how adverse the circumstances were or how powerful the villains would be. Recall those movies in which logic took a backseat since the focus was on entertainment… You relive those moments as reel after reel of WANTED unfolds.

A departure from candyfloss movies and diabetic-sweet characters that most Hindi movies boast of, WANTED takes you back to those days when popular cinema reigned supreme, when the sole motive of the film-maker was to entertain.

The daring hero and his herogiri, the naïve girlfriend, the corrupt cop, the dreaded don, the don’s moll, the fist-clinching henchmen… WANTED is for those who seek unabashed entertainment and relish masala films. Damn the indomitable critics, pseudo intellectuals and connoisseurs of parallel cinema, this one’s not for them. WANTED is for the aam junta.

Radhe [Salman Khan] is a hardcore gangster. A sharpshooter with a sharp brain, he works for Gani Bhai [Prakash Raj], the dreaded Mafioso, but on his own terms. Totally fearless, Radhe single-handedly eliminates Gani Bhai’s enemies one by one; making more enemies in the process.

He’s astounded when the young and pretty Jahnvi [Ayesha Takia Azmi] professes her liking for him. Inspector Talpade’s [Mahesh Manjrekar] lustful eyes fall on Jahnvi. He doesn’t know that Jahnvi has developed a soft corner for Radhe.

Whether it’s the Golden Gang or Data Pawle’s Gang, everybody wants the biggest piece of the lucrative cake that is Mumbai and the only way to get it is to eliminate whoever gets in the way. As Mumbai reels under bloody gang wars, Commissioner Ashraf Khan [Govind Namdeo] vows to make the city crime free.

Director Prabhu Dheva serves a hardcore masala fare that’s not inventive or path-breaking by any standard, but the execution of several scenes as also of stunts takes the graph of the film Northward. In fact, if at all there’s any film that competes with GHAJINI as far as raw appeal goes, it’s WANTED. Every action/stunt/chase here is choreographed with aplomb.

Watch out for the action sequence at the interval point or the penultimate half-an-hour. The climax is sure to send scores of action lovers in frenzy, as Salman bashes the evil forces black and blue. It wouldn’t be erroneous to state that the climax is worth the price of the ticket, samosa, sandwich, popcorn, nachos and cola put together.

Not that this 18 reeler abounds in mindless action. As mentioned earlier, this one’s a hardcore masala film and the narrative has its share of light moments and romantic sequences. Even the bad man here makes you laugh intermittently [when he's not spewing venom], especially in the sequence when the Commissioner of Police holds him captive in the middle of the sea. Even the romance between Salman and Ayesha charms its way into your heart. It’s very likable.

But WANTED is not without its share of flaws. The film stands on a thin storyline and the viewer can guess what’s in store next, which means that there’s not much novelty in the plot. Besides, WANTED could’ve done without a song or two, thereby keeping its length in check.

Director Prabhu Dheva has presented Salman like never before. Most actors have drifted away from roles that hold tremendous mass appeal, that cater to the desi audience, like they did in the 1980s. SRK did it in OM SHANTI OM, Aamir Khan did it in GHAJINI and Salman does it so effortlessly in WANTED. The screenplay [Shiraz Ahmed] may not be foolproof, but it has its share of shining moments. Dialogues are clapworthy, especially those delivered by Salman.

Sajid-Wajid’s music is of a mixed variety. ‘Jalwa’ is the best of the lot and the star presence of Anil Kapoor, Govinda and also Prabhu Dheva in this track will send the viewers into raptures. The remaining tracks oscillate between good and strictly okay. This review would be incomplete without the invaluable contribution by the action director. It deserves brownie points. Cinematography too is top notch.

Salman is like a ferocious lion who roars with all his might. The show belongs to the actor, who scorches the screen every time he displays the manic anger. Without doubt, Salman gives the power to WANTED. It’s his best work to date.

Ayesha Takia Azmi is very good and the pairing with Salman looks wonderful. Vinod Khanna is sidelined. He deserved more footage. Mahesh Manjrekar is excellent. He’s only getting better with every film. Prakash Raj is first-rate. The accomplished actor adds yet another feather to his cap. Govind Namdeo is perfect.

Mahek Chahal radiates oomph. Aseem Merchant is alright. Raju Mavani is effective. Inder Kumar and Sajid are okay. Manoj Pahwa tries hard to make you laugh. Prateeksha Lonkar is as usual.

On the whole, WANTED rides on Salman, Salman and only Salman Khan’s star power. A masala film that’s aimed at the masses, WANTED is backed by tremendous hype and hoopla, which will result in the film taking an earth-shattering start at the ticket window. The Idd celebrations in the coming days will only enhance the business of the film, which means that the film will have a solid Week 1. The holidays in Week 2 should also be bountiful, thereby ensuring a strong place in the ‘Hit’ category.

Ratings: (4/5)


Related posts: Wanted (2009)

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Dil Bole Hadippa: Movie Review

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By Taran Adarsh, September 18

Cricket, like Bollywood, is an addiction for a wide majority of Indians. DIL BOLE HADIPPA tries to capture the spirit of the game and the aspirations of a sportsperson, who’s keen to play for her pind. On paper, the concept, which bears an uncanny resemblance to SHE’S THE MAN, sounds interesting, but the problem is its writing, which is tame and mediocre.

Let’s elaborate. The plusses, first…
It’s mandatory for cricket-based films like LAGAAN and VICTORY, which conclude with a cricket match, to have a thrilling finish. DIL BOLE HADIPPA too has a awe-inspiring end.
Also, the story of an ordinary girl who aspires to play cricket for the national team is motivating, with Rani Mukherji handling her part with complete understanding.

But there’s a flipside too. The romantic moments between Rani and Shahid Kapoor lack fizz. Even the assorted characters in the film, like Sherlyn Chopra, Vrajesh Hirjee and Rakhi Sawant, contribute nothing to the film. They’re mere props.

Final word? You expect DIL BOLE HADIPPA to score a century, like several films churned out by Yash Raj. But it settles down in the half-century range. Strictly average!

Veera [Rani Mukherji] is a fire-cracker of a girl who lives in a small village, but chases big dreams. She works in a local theatre group, but dreams of playing cricket in the big league. Yes, believe it or not, she wants to play with Tendulkar and Dhoni for India.

While Veera dreams on in India, Rohan [Shahid Kapoor] is an accomplished captain of a county cricket team in England. Rohan returns to India to captain his father’s cricket team, which has been losing consecutively for the last 8 years.

In a village where girls don’t play cricket, Veera has to put on a turban and beard and become a man to fulfil her dreams. Her brilliance on the field earns her a place in Rohan’s team and Veera Kaur becomes Veer Pratap Singh. But what happens when the secret is out?

DIL BOLE HADIPPA has a patchy script. It’s interesting initially, but takes the beaten path later. Rani’s obsession for cricket is well established at the outset. So is the friendship between Anupam Kher and Dalip Tahil [who heads the Pakistani team]. Also, the initial scenes between Anupam and Shahid are well integrated in the story.

The film shows promise when Rani transforms from Veera to Veer. All this happens in the initial 20-25 minutes, but the story comes to a screeching halt thereafter.

Problem begins… Shahid loses his heart to Rani and the film suddenly turns into a love story. Sherlyn surfaces in between to spice up the proceedings, but nothing happens. The conflict during the finale – when Shahid learns the truth – doesn’t make the desired impact either. Even the re-emergence of the mother [Poonam Dhillon] in the story looks like a complete compromise from the writing point of view.

However, the match between the Indian and Pakistani teams in the climax is well executed and though the viewer is well aware what the ending would be, it keeps you hooked nonetheless. Unfortunately, the final speech by Rani [after the match is won] is outright predictable. The film would’ve benefitted with an innovative end.

Anurag Singh shows sparks of brilliance at times, but how one wishes the debutante director and his writers would’ve come up with a solid script. Pritam’s music doesn’t help either. Barring the title track, the balance songs are plain average. Cinematography is nice.

DIL BOLE HADIPPA belongs to Rani and as always, she delivers a sparkling performance as Veera as well as Veer, carrying both the roles effortlessly. Shahid plays second fiddle to Rani, which is very surprising. Nevertheless, he enacts his part well. Anupam Kher and Dalip Tahil lend decent support. Poonam Dhillon has nothing to do. Rakhi Sawant and Sherlyn Chopra are wasted. Vrajesh Hirjee is passable. Shri Vallabh Vyas does well.

On the whole, DIL BOLE HADIPPA is an ordinary fare. At the box-office, the film has some chances in North mainly thanks to the Punjabi flavour. The holidays ahead may help its prospects at plexes essentially, but the single screens will be dull.

Ratings: (2/5)


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3 Nights 4 Days (2009): Movie Information

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Color
C

Release Date
October 9, 2009

Language
Hindi

Genre

Shooting Studios
Filmcity

Producer
Devang Dholkia
Ryan Semelha

Executive Producer / Co-Producer
Lekhraj Sirawar

Director
Devang Dholkia

Star Cast
Hrishita Bhatt
Anuj Sawhney
Farid Amiri
Madhuri Bhattacharya
Sameer Aftab
Pinky Harwani
Sanda Caktas
Areesz Gandhi

Music Director
Dabboo Malik

Cinematography
Arvind Singh

Choreography
Longines Fernandes

Synopsis:

Rahul, Rocky, Amay, Priya, Antara, Zoha were best of the friends in Pune University… It’s been three years since they passed out and parted ways…they all were completely out of touch, being busy in their respective careers…Now Rocky is getting married in Goa with his two year old girlfriend Marianne who is from Croatia…this is the time of reunion…old friends reunite to join Rocky on his wedding in Goa…but things are not the same with Rahul, Priya and Zoha…their personalities have changed, their ideologies have changed, their commitments and goals have changed while Amay and Antara are just the same… as they set off on this trip, things start coming out in the form of conversations and activities… they all witness Marianne backing away from the commitment of marriage leaving Rocky bereft but she finally comes back after realizing that falling in love with Rocky was the best thing to happen to her…


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Shaabash! You Can Do It (2009): Movie Information

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Status
Completed

Color
C

Release Date
September 25, 2009

Language
Hindi

Genre
Comedy / Thriller

Producer
Dr. Devdatt Kapadia

Director
Shankar Mondal

Star Cast
Hitesh Agrawal…… Introducing
Mansi Dovhal…… Introducing
Sudesh Berry
Nasir Khan
Vivek Shauq
Charu Sharma
Rajiv Verma
Adi Irani
Atul Kinagi…… Introducing
Vedita Pratap Singh…… Introducing
Praveen Singh Sisodia
Vishwajeet Pradhan
Rakesh Shrivastav
Aslam Khan

Cassettes and CD’s on
Saregama-HMV

Singers
Soham Chakrabarthy
Rahul Seth
Krishna
Nakash Aziz
Kunal Ganjawala
Sunidhi Chauhan
Javed Ali
Lavanya

Lyricist
Kumaar
Rahul Seth
Dev Narayan

Music Director
Santok Singh

Background Music
K.C. Loy
Aashish Rego

Cinematography
Sanjay V Malkar

Choreography
Dilip Mestry

Action
Bachchan Singh

Editor
Arun Shekar

Screenplay
Arsh Rana
Fateh Khan

Dialogue
Arsh Rana

Costume
Meghna Rodrigues
Stephen Jerome Saldana

Story / Writer
Dr. Devdatt Kapadia

Synopsis:

“The story revolves around the character of Neil and his journey from being an underdog to ultimately immerging as the winner of a dance competition with is protagonist Vikram who’s a three years champ by learning YOGA.

His journey is facilitated by Professor Siddhant’s encouragement and his new found love for Mahi. It is a truly inspiring film for viewer of all age group. It also has excellent music, good dance sequences, culminating in breath taking competition and suspense. Also for the first time yoga has been excessively used as a tool of transformation.”


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